_(?) BRILLHARD ______+
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_Samuel BRILLHART ___|_____________________
| (1678 - ....) m 1700
_John BRILLHARD _____|
| (1701 - ....) |
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_Peter BRILLHART ____|
| (1726 - 1782) m 1745|
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| | _John Adam RURIGH ___|_____________________
| | | (.... - 1777)
| |_Marie RARIEGH ______|
| (1704 - 1777) |
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_Peter BRILLHART ____|
| (1746 - 1801) |
| | _Christian MEYER ____+
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| | _Hans MEYER _________|_____________________
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| | _John MEYER _________|
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| |_Mary MEYER _________|
| (.... - 1804) m 1745|
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|--Maria BRILLHART
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[13269] Maria m. Martin Feigeli and is named in her father's will of 1801. Feigeli = "Figley"? NOTE: This is perhaps Maria, daughter of another Peter! - cf. William L. Gould, "A Light in the Valley..." (York, PA: The Maple Press, 1976), p. 118.
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_William DICK ________________|
| (1823 - 1912) m 1848 |
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_John Henry DICK ____________|
| (1851 - 1925) |
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| |_Anna Maria VAGTS ____________|
| (1819 - 1898) m 1848 |
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_William Karl DICK _______|
| (1888 - 1953) m 1916 |
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| |_Julia Theodora MOLLENHAUER _|
| (1863 - 1925) |
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|--John Henry DICK
| (1919 - 1995)
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| _William Hurlburt FORCE _____|
| | (1852 - 1917) m 1889 |
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|_Madeleine Talmage FORCE _|
(1893 - 1940) m 1916 |
| _Goyn TALMAGE _____________+
| | (1778 - 1812) m 1800
| _Thomas Goyn TALMAGE _|_Magdalene Duryea TERHUNE _
| | (1801 - 1863) m 1824 (.... - 1860)
| _Tunis Van Pelt TALMAGE ______|
| | (1831 - 1909) |
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| | |_Dorothy MILLER ______|___________________________
| | (1805 - 1834) m 1824
|_Katherine Arville TALMAGE __|
(1864 - 1939) m 1889 |
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|_Magdalene Van Nest DEFOREST _|
(1837 - 1906) |
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John Henry was an ornothologist, painter and illustrator. He r. Dixie Plantation, Charleston, SC - see editorial tribute to him in "The Post and Courier," Charleston, SC, 26 Sept 1995, p. 8-A. For his residence, see http://south-carolina-plantations.com/charleston/dixie.html and http://dixieplantation.cofc.edu/history/index.php.
http://speccoll.cofc.edu/jhdpage.html offers in 2014:
"I have spent much of my life seeking other Edens--the wilderness, the wonders of nature, the peaceable kingdom. Perhaps I found it in the magnificence of Antarctica or looking into the amber eyes of a lion. Maybe it was hearing the evening chorus of thrushes in northern forests. Perhaps it exists beyond the pollutions of man, or lies only in his dreams. As long as I live I will pursue it--for to me here is where God reaffirms His presence." --John Henry Dick. "Other Edens"
Born in Islip, New York in 1919, John Henry Dick was attracted to nature at an early age. Encouraged in his outdoor pursuits by both his father and his mother (Madelin Force Dick, the widow of John Jacob Astor, who perished on the Titanic), the young Dick was especially fascinated by birds and established his own wildfowl aviary at his family estate, with pheasants, quail, ducks, and geese.
Dick's first commission was to paint a mural of birds for the wall of the dining hall at his prep school. "It was about this time," Dick said, "that I discovered for myself the dramatic ornithological compositions of John J. Audubon, the primitive charms of Alexander Wislon, the colorful excitement of John Gould, the observing eye of Louis Agassiz Fuertes."
Dick identified "the study and painting of birds" as his first love. With the encouragement of his tutor, John Moffet, he attended Yale Art School before enlisting in the U.S. Army Air Corps in World War II.
After the war, Dick decided to merge his two passions and become a bird illustrator. In 1947, he moved permanently to Dixie Plantation, his family's winter home twenty miles south of Charleston. His first major work was four illustrations for Alexander Sprunt's South Carolina Bird Life in 1949, joining contributions by well-known illustrators Roger Tory Peterson and Francis Lee Jaques. Three years later he gained national recognition by winning the highly competitive annual Duck Stamp Contest sponsored by the Fish and Wildlife Service. He subsequently provided illustrations for twelve books on wildlife and wrote and illustrated his travel account Other Edens.
When not travelling around the world to document, photograph, and paint birds, Dick constructed his own Eden at Dixie Plantation. Here he was surrounded by birds, both in real life and in art. His impressive aviary contained a wide variety of waterfowl, pheasants, cranes, and peafowl.
During the late 1940s Dick also became a serious collector of fine illustrated bird books, primarily from the eighteenth and nineteenth centuries. Over the years, in addition to building a working collection of more than a thousand volumes on ornithology, he acquired a magnificent collection of bird illustration. Among his rare titles were the complete elephan folio editions of John James Audubon's Birds of America, Edward Lear's Illustrations of the Family of Psittacidae, or Parrots, the complete works of John Gould, and beautiful, valuable titles by Buffon, Edwards, Manetti, Levaillant, Knip, Temminick, Frisch, Dresser, Elliott, Sharpe, and other prominent authors and illustrators.
When John Henry Dick died in 1995 at the age of 76, he left his beloved Dixie Plantation and his magnificent collection of rare books to the College of Charleston.
[46575] Herbert's information is from the unverified file LT88-TX9 in familysearch.org in 2020 which states he is son of Gustave Adolph Erdman (1884-1968) and Dora M. Standen (1882-1932, m. 20 October 1917 in Lucas Co., OH), and that Herbert also m. 28 November 1975 Evelyn June Mooney (1925-1995).
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[33310] His name is also seen "Uriah". He r. on Mishler Rd., Suffield Twp., Portage Co., OH. "The Akron Beacon Journal, 6 June 1932," p. 22: "Robenstine - Urias, age 80 years, pass ed away at his home, Mishler rd., near Mogadore. Sunday p. m. He leaves his wife, Emma; 5 sons and 4 daughters, 16 grandchildren. 8 great grandchildren. Services at the residence, 2 p. m. , Wednesday, 2:30 at Brethren church."